NativeLand and AfroNation: a Tale of Two Cultures? by Austin Okere
As we start the new year 2020, it is expedient to take stock of the gains in the bourgeoning creative industry in West Africa’s two biggest economies; Nigeria and Ghana, given their increasing contribution to the GDP of both countries.
December 2018 was a groundswell period in the evolution of young African Artistes in the region. It was also the great year of collaboration between local artists and their international counterparts of African descent.
The major musical concerts in Lagos and Accra are NativeLand and AfroNation respectively. NativeLand, whose traditional home is the Muri Okunola Park in Lagos is in its fourth year. It is put together by lifestyle platform Native Magazine, founded by Seni Saraki and Teezee to cater mostly to teenagers and young adults, many studying overseas and returning home for the holidays.
AfroNation on the other hand is billed as the first festival that celebrates the African Diaspora and is organised by a 34-year-old Nigerian promoter from Dagenham called SMADE – real name Adesegun Adeosun Jr. alongside his business partner, Obi Asika.
They rotate their concerts in different countries. The debut event which held on the beaches of Portimao, Portugal, saw 20,000 people of African descent gather for four days of the festival, featuring live music from Nigeria, Ghana, Tanzania, Jamaica, the UK and the US.
To consolidate on the solid foundation laid in the penultimate year 2018, both organisers advertised much bigger versions of their shows for Dec 2019. AfroNation opted to host their festival at Laboma Beach at Accra, Ghana, while NativeLand opted to continue at their traditional location in Lagos.
First off the block was NativeLand with a supposed star-studded event at the Muri Okunola Park. Like the previous edition in 2018, where the advertised headliner Burna Boy was a no-show, many of the major acts advertised in 2019 also did not show up. Some claimed that sound quality and other technical issues forced them to cancel.
Just for context, this park is at a very busy traffic intersection with very limited crowd capacity and no provision for parking. It is at best a good location for small to medium-sized outdoor events. For some strange reason, the organizers oversold tickets by multiples of the park’s capacity.
The inevitable happened. The park was full to the extent that there was no blade of grass left for an extra person to stand on, and there was still a very large crowd outside waiting to be admitted. In fact, the VIP tickets were so oversold that the stage housing them collapsed, sending them onto an inelegant mangled sprawl on the ground.
The crowd outside surged in a throng and the gate fell. The security personnel hired to man the single gate serving as entrance and exit, went into overdrive, hitting and kicking the paying customers, aka “the crowd” with horsewhips and boots.
A stampede ensued, many people fell and were trampled, many lost their eyeglasses. Mobile phones, wigs and other customer valuables were snatched. The scenario could best be described as luring people to a rendezvous and then inviting mayhem upon them. Many went home with bruises and a lot more ended up in hospitals with broken bones.
The AfroNation event at Accra was an entirely different matter. It was a four-day show packed with local and international artistes and timed to coincide with the “year of return” theme of the government of Ghana, wherein Africans in Diasporas are encouraged to return to the continent.
According to Wikipedia, up to 1.5 million tourists were expected in Ghana by the end of the year 2019, with up to 1.9 billion dollars also expected to be accrued in revenue as a result of the Year of Return activities.
The event was very well advertised and organised and was so popular that you could hardly get a flight or hotel room in Accra if you left your booking till three months to the event. The huge success of the 2019 version of Afronation was no surprise.
When it debuted in Portugal, no expense was spared when it came to acts, and it boasted performances from Afrobeats and Bashment icons such as Burna Boy, Davido, Busy Signal and Buju Banton. Notable black British artists also graced the stage, such as J Hus, Ms Dynamite, Stefflon Don, Octavian, Mostack and Ms Banks.
All the acts advertised in 2019 showed up to perform. This will no doubt solidify the platform for a successful AfroNation 2020, but wither NativeLand 2020?
The major puzzle is that both events were organized by Nigerians; one at Accra, Ghana and the other in Lagos, Nigeria. Is this down to a tale of two cities and their cultures? The Sahara Reporters’ headline; “Police Dismiss Officer Over Killing Of Man At Wizkid’s Concert” was very telling.
The victim attending the Starboy concert at the Eko Atlantic Energy City at Victoria Island, Lagos was shot dead after a heated argument outside the premises. The fact that the same Wizkid performed at AfroNation at Accra without incident fully makes the point.
I attended the AfroNation concert on Sunday, Dec 29 at Laboma Beach. The set up was very much like any large concert in Europe or America. There were ambulances, enough conveniences and a generally pleasant party ambience. Oh!
I forgot to add that I did not encounter a single “area boy” or miscreant at the event or in the car park when I was leaving at 3.30 am. There was no report of stampede, shooting or death.
While I commend the entrepreneurial spirit of the young men behind NativeLand, they have to learn the ropes about patience in building a brand, offering the customer value and reaping full benefits sustainably. The flawed shortcut mentality of maximizing profit at all costs and taking customers for granted is not sustainable in the long-term.
The organisers of NativeLand put out a revised apology statement on Twitter a day after the event which was still generally regarded as short on remorse and with no genuine intention to recompense. Without restitution, how can they learn to be accountable, and ensure that this disaster does not repeat in the future.
Our Youth are our future, we cannot afford to play ostrich while they fall astray. It is not too late to do the right thing. Their progenitors and anybody who wishes them well should advise them to robustly come forward and be the men they want to become when they “grow up”.
As a nation, we need to re-examine the culture of aggression and lawlessness in our cities that have become a major disincentive to tourism and badly needed investments.
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